When Gener Caringal received the Gawad CCP para sa Sining, he closed his acceptance speech with borrowed words from Andres Bonifacio: "Dadalhin ko sa bagong kabanata ng aking buhay ang mga hiram na salita galing kay Andres Bonifacio: 'Aling pag-ibig pa ang hihigit kaya sa pagkadalisay at pagkadakila gaya ng pag-ibig sa tinubuang lupa?' Aling pag-ibig pa? Wala na nga, wala.' Nais kong ituloy ang nasimulan with this as my guide. I look forward to more opportunities to love my art, my audience, and my country."
In many ways, the universe honored that wish. Nearly three decades after its premiere, Philippine Ballet Theatre (PBT) brings Andres KKK back to the stage, allowing Caringal's masterpiece to once again reach a new generation of audiences—and another opportunity to serve the country. As revolutionary as their beginnings, they celebrate the company’s fortieth year in the industry with a bold move to change their season opening from the classics to a historical reminder for the people.
Pondering why the ballet persists in resonating, Artistic Director Ronilo Jaynario says, "PBT's version of history is not simply pages of history in dance. It is a touching tribute to the struggles of the Filipino." Philippine Ballet Theatre imagined the season differently but, in a swift move, changed its repertoire to respond to what they feel their audience needs: a reminder of their love for country, their love for their own people, and their love for the history that paved the way to today.
Every generation remembers its heroes. Few, however, are entrusted with bringing them back to life.
For the artists of Philippine Ballet Theatre, portraying Andres Bonifacio and Gregoria "Oryang" de Jesus is far more than mastering choreography. As PBT prepares to stage Gener Caringal's Andres Bonifacio KKK once again, the cast reflects on the privilege—and the weight—of portraying two of the nation's most revered historical figures.
Mathew Davo portrayed Andres Bonifacio during the Company's international tour back in 2019 . He recalls performing the ballet at the McKenna Theater in San Francisco, where audiences praised the production as world-class and celebrated the artistry of Filipino dancers.
For Davo, however, the ballet's greatest audience has always been Filipinos themselves.
"This ballet is very important to me, and I want to take pride in it—not just abroad, but here in our own country as well. It is very important for Filipinos—especially children—to watch this, so they may learn and never forget how our heroes fought for our freedom."
Dominador Delmo, who alternates with Davo, describes portraying Bonifacio as both a tremendous honor and an enormous responsibility. Preparing for the role has meant immersing himself in Bonifacio's life while enduring rigorous physical conditioning.
“Upang mapaghandaan ang tungkuling ito, masusi kong pinag-aaralan ang buhay ni Bonifacio habang sumasailalim sa matinding pisikal na paghahanda. I need to understand his struggles para maisalin sa ballet ang lalim at bigat ng kanyang kuwento. “
For Delmo, Bonifacio is "the voice of the masses." Every step, leap, and fall on stage must carry the fire, conviction, and steadfastness of a man who inspired a revolution.
Alternating as Gregoria "Oryang" de Jesus are Sophia Tianco and Jessa Tangalin, both of whom believe the production speaks powerfully to today's generation.
Tianco sees Bonifacio's legacy as a reminder that freedom cannot be pursued by a single hero. It has to be a collective effort of a people.
"His story stands as a timeless reminder that real freedom cannot survive without rising above personal interests for the greater good. When we fight among ourselves, we lose. When we fight among ourselves, we lose. Understanding Bonifacio's legacy reminds us that true freedom cannot survive without national unity."
Tangalin echoes that sense of responsibility. Portraying Oryang, she says, demands historical respect while remaining emotionally truthful. Because Gener Caringal is determined to give justice to history, he has given the cast a rare opportunity to understand not only the choreography but also the intention behind every movement.
"The mere act of taking on Oryang's role—of confronting death, failure,torture—leaves you humbled. You feel the pain of those who fought before us. It somehow stays with you after rehearsals, the glimpse of the past. Yet the ballet does not end in despair. It ends with unity becoming their armor, and that is what stays with me. It reminds me that even in our darkest moments, there is always hope."
As Philippine Ballet Theatre revives Andres Bonifacio KKK, the cast hopes audiences leave with more than admiration for the performance. They hope Filipinos rediscover the enduring values Bonifacio stood for—service before self, courage in the face of uncertainty , and an unwavering love of country.
Philippine Ballet Theatre presents Gener Caringal's Andres KKK for a limited engagement on August 22–23, 2026, at the Rockwell Proscenium Theater. Tickets are available through TicketWorld.
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